The Country Club
Pepper Pike, OH, USA
Green Keeper: Brian Mabie
The Country Club outside of Cleveland traces the evolution of the game of golf as well as any club in America. Originally founded in Glenville near Lake Erie in 1889, the purpose of The Country Club as defined by one of its founders Samuel Mather was to provide a country retreat for wealthy Cleveland citizens. Be it horseback riding or picnics, the original one hundred members enjoyed the chance to get into the great outdoors and away from Cleveland’s industrial center. A visit by Mather to St. Andrews Golf Club in Yonkers, New York in 1895 provided a strong impetus to incorporate golf into the pastoral offering and shortly thereafter, a nine hole course was created. In 1902, The Country Club‘s own Coburn Haskell played a pivotal role in shaping the direction of the game when he invented the rubber wound ‘Haskell’ ball with a rubber core with aid from the nearby B.F. Goodrich Company.
Much more so than when steel shafts replaced hickory ones, the advent of the Haskell ball dramatically changed how the game was played. New eighteen hole courses for clubs with high aspirations for hosting events went from being built in the 6,000 yard range to 6,600 yards within the first decade of the advent of the Haskell ball. As that relates to The Country Club‘s own evolution, it had already become an eighteen hole course but Cleveland’s industrial might had expanded east and engulfed the surrounds of the property. The very essence of escaping into the country had been lost. The solution to this problem came in an offer from the Van Sweringen brothers, assemblers of a railroad empire and creators of the community of Shaker Heights. In 1928, the brothers proposed that The Country Club relocate to their new Pepper Pike development with the promise of a large parcel of land and a loan with which to build a new clubhouse.
Though the new location for The Country Club didn’t feature the strong landforms at Mayfield or an in-your-face moment like the approach to the fifteenth at Canterbury, its property was expansive and featured a creek running through its rolling grounds. The high to low point on two-thirds of the hole is fifteen feet or more and the highlights come when master architect William Flynn incorporated the most interesting landforms into the holes themselves when he built the course in 1928. Examples include the creek at the ninth, the terraced fairway at the fifteenth and the roll-a-coaster ground movements of the seventeenth fairway. To be considered great, a course must have great holes and these are those at The Country Club.
However, it is the unrelenting strength of the supporting cast that makes The Country Club strong top to bottom. If that makes it sound like an Oak Hill or Medinah, itâ€™s not meant to as this course features approach shots that are more varied in regards to how the approach shots set up and the views that are offered of the greens. Simply put, there is no guarantee that the golfer will have a good view â€“ or any view for that matter â€“ of the putting surface on nearly half the holes. Sometimes, greens are perched high like at the eleventh while others are hidden behind cross-hazards like the eighth. The greens at two brutish par fours, the sixth and fifteenth, feel almost more like links holes as they are found respectively beyond the brow of a hill and a ridge. At the 585 yard twelfth, if the golfer doesnâ€™t manage to get his first two shots within 120 yards of the green, a hillock ensures his third will be to a blind target. This true lay of the land architecture and as a result, the holes are distinctive and the course doesnâ€™t readily remind one of any other. This is a great compliment as most other parkland courses can blur together in oneâ€™s mind. Not here.
Being given expansive property is a great luxury for any architect. In the case of The Country Club, William Flynn took full advantage of the nearly 300 acres of rolling ground as seen in several ways. First, the holes enjoy a spacious quality to them and William Flynn routed the holes so that they fall over the landforms in varying ways. William Flynn never got boxed in as sometimes happens to architects on tight property and as a result, there is nothing approaching a weak or indifferent hole. In addition, when it came time to expand the course past the 6,800 yards that it was when William Flynn left the property, there was plenty of room to add back tees which actually reduced some of the green to tee walks. Finally, though eight of the holes brush along the perimeter of the property, there is plenty of room still between the playing corridors and the out of bounds so that the golfer enjoys a round that is free from outside intrusions.
Hence, it is no surprise that from the day William Flynnâ€™s course opened on August 10th, 1930, The Country Club built a strong reputation. Lawson Little won the British and United States Amateurs in consecutive years, completing his â€˜Little Slamâ€™ at The Country Club in 1935. However, as has been demonstrated at a majority of Golden Age courses in the United States, time can be cruel and unnecessary changes took place to William Flynnâ€™s sterling design. Aerials from the 1960s and forward show fairway width being compromised by tree growth and greenside bunkers being added ostensibly to â€˜tightenâ€™ the approach shot requirements. Rock outcroppings were added where the creek snaked through the ninth and tenth holes.
By the late 1990s, the balance between fun and challenge had shifted too far toward just asking the golfer to execute rifle straight shots. William Flynn, who is one of the all-time masters at creating interesting playing angles, would have scowled should he have stood on the first tee and looked out at what had become a scant twenty-one yard wide fairway. And that to a fairway with interesting undulations and movement! When conditions were fast and firm, just holding the fairway was a minor miracle, let alone trying to place it down one side or the other off the first tee. Thankfully, William Flynnâ€™s great routing was never tainted and the property with its large buffer against the outside world had not been compromised.
Realizing that something needed to be done, The Country Club turned to Brit Stenson of IMG Design. Unlike almost all of his projects, this one had two great attributes going for it from the start. First, The Country Club possessed the set of William Flynnâ€™s drawings for each of the eighteen holes. No guess work was required as to William Flynnâ€™s design intentions. Second, this project was in Brit Stensonâ€™s backyard and it enabled him to be there nearly every day once the work commenced with Macdonald & Sons as shapers.
Here is what former club champion J.T. Taylor says about the work that was carried out in 2002: â€˜
While I have truly enjoyed the golf course for many years, the transformation that occurred with the renovation was nothing short of spectacular. The best changes that occurred with the renovation were (1) the return of the original fairway widths which, while making it easier to hit fairways, also forced the lazy driver of the golf ball to make up for his or her carelessness with a much tougher angle of approach into many greens, and (2) the elimination of multiple greenside bunkers (right of 4th green, left of 7th green, right of 8th green and right of 10th green) which were replaced with fairway-length grass which has made the types of recovery shots infinitely more interesting. There is nothing more enjoyable than walking to a missed approach shot next to one of these greens with a lob wedge, sand wedge, putter, three wood and eight iron and trying to “see” the proper shot to be played. This is much more interesting that stepping into a bunker with a sand wedge. For me, the true test of a great club is how anxious you are to get back again to play it and I can tell you that every day I look forward to returning to play it again.
In addition to Brit Stensonâ€™s work, the addition of Brian Mabie from the Firestone complex as green keeper proved a key component to restoring the course to its rightful place among the best parkland courses in the United States. Since late in 2007, Malbie has helped to oversee a selective tree clearing program which has opened up long vistas across the gorgeous property. In addition, he has hydro-seeded selective areas to introduce varying grasses that enhance the courseâ€™s texture, avoiding the plight that too many parkland courses endure of washing out to the eye by offering little contrast other than shades of green. Furthermore, the fast and firm conditions that Malbie promotes exacerbate the conundrum that the golfer faces at some of the tight chipping areas around the greens, as noted by Taylor above.
Two yardages are listed below in the Holes to Note section. One is from the back tees, which stretches this Golden Age course to over 7,100 yards and the other is from the more reasonable 6,600 yard set. The fact that the course was effortlessly stretched past 7,000 yards is poetic justice and a tip of the hat to Coburn Haskell as well as to The Country Club‘s wise decision in the late 1920s to move to such an expansive site.
Holes to Note
First hole, 360/345 yards; Meandering creeks are fabulous hazards but most golf architects rarely are given the chance to work with them. By good fortune, an unusually high percentage of sites upon which William Flynn worked feature creeks (Lancaster, Huntingdon Valley, Rolling Green, Lehigh, The Cascades, etc.). As The Country Club was built around the mid-way point of William Flynn‘s career, he knew just how best to integrate the creek that wanders across the property into several holes. Given changes in technology as well as its elevated tee, the first hole would be in danger of losing its playing integrity if not for the creek but as it is now, the first hole can see a group of four each reach for a different club off the tee.
Third hole, 340/315 yards; The Country Club and Brit Stenson religiously followed William Flynn‘s hole sketches when they embarked on this restoration project. The one exception came here at the third green complex where they decided to widen the green from back to front and extend it farther to the right. This was a wise move as several risk reward right hole locations were picked up in the process.
Fourth hole, 380/350 yards; Regardless of a holeâ€™s length, most uphill holes designed during the Golden Age prove to be challenging, generally because it provides an ideal opportunity to build a green with great character. Such is the case here with the fourth green containing some of the best interior contours on the course. In an interesting variation, William Flynnâ€™s large bunker angling into the fairway created fine playing angles on this hole as well.
Seventh hole, 505/460 yards; Brit Stenson did a particularly fine job over the next two holes at pulling William Flynnâ€™s hazards back into play. Here at the seventh, a large bunker protrudes well into the fairway exactly where big tee balls love to finish. It drives some of the best golfers at The Country Club crazy and no wonder: an aerial from the 1970s that hangs in the menâ€™s locker room shows how the seventh fairway was once clear sailing with the hazards pushed to the sides. As in William Flynn‘s day, the golfer is once again asked to think. In addition, his appreciation for golf as a ground game sport is increased as he needs to be mindful of how the ground will impact the result on both his tee ball and approach shot.
Eighth hole, 570/530 yards; More so than most Golden Age architects, William Flynn believed in the use of trees to guard the playing value of holes. At some point in the 1960s, trees were removed at the crest of the hill and an ameba shaped bunker was built 250 yards out from the eighth tee to protect the inside on this dogleg right. As part of the restoration, the bunker was taken out, trees were planted and more importantly, an immense central hazard was re-established 100 yards from the green. Yes, it was out of play for Sergio Garcia when he coolly hit a six iron into the green in two recently but for 99% of club golfers, this bunker complex dictates the holeâ€™s strategy.
Ninth hole, 190/165 yards; Tom Doak thought this and the seventeenth to be the courseâ€™s two standout holes when he went around the course in 1986. Taken as a set, the par threes at The Country Club are exceptional, yet this is the only one where water is the primary challenge. Improvements in agronomy from William Flynn‘s day have only helped this hole as the bank that leads away from the green and toward the creek can readily be maintained in a tight, firm manner.